Grab a cup of coffee because this post will be longer than usual with a few more pictures! I’m so happy to cross off my first official quilty finish of 2021 by completing a WIP that started its journey in 2018.
In 2018, I signed up to do a 100 blocks in 100 days project, hosted by @gnomeangel on Instagram. The goal was to make each block from the book, Tula Pink’s City Sampler Book: 100 Modern Quilt Blocks. Each day, starting in July 2018, and for 100 days in a row, we posted the designated block for that day. We could make the blocks in advance, but we had to post the blocks in order on the specified day.
Here’s a look at my first and last blocks (on little design boards). You can find all my blocks by searching the hashtag #nwquiltedcat100blocks on Instagram.
Once I finished all 100 blocks, I put the project aside for awhile. In January 2020, I was lucky enough to secure a spot in a Tula Pink class set for July of 2020 at the Quilter’s Affair event, which takes place the week before the Sisters Outdoor Quilt Show. Little did we know that a pandemic was looming!
In February 2020, I decided to pull out all the blocks, arrange them, and decide on a setting layout.
I decided to use all 100 blocks with Kona White and Kona Lighthouse for the sashing. I started piecing in March 2020 and finished in April 2020, still with the hope that I would be attending Tula’s class in July.
Of course, we all know that all quilting shows and events did get canceled for the rest of 2020. Once I had finished piecing the top, I lost my enthusiasm for the project as I knew I wouldn’t be able to ask Tula to sign my quilt in July. However, most of the instructors, including Tula, agreed to postpone their classes for July 2021! Yeah, hope renewed my ambition to get this quilt finished.
This is a large quilt, maybe queen size plus, but not quite king size. I had to piece the backing so I used a beautiful Neptunia Von Black portrait (from the Nightshade line) backing from I Heart Tula Pink at 54″ x 72″. I then added some of Tula’s 108″ backing from her Linework line called Sketchyer Paper along with some Fairy Dust in Whisper from her True Colors line. My label is a scrap of Kona White fabric, pieced directly into the backing. I left a large open space on the label where I hope to get Tula’s autograph eventually.
In December of 2020, I decided to quilt it using Glide thread in Bone and a hand-guided pantograph called Modern Twist by Urban Elementz on my HQ Avante. I selected this simple panto to keep the quilting in the background and the focus on the blocks.
Finally, I was ready to bind this giant quilt! I went with the same Fairy Dust in Whisper that I used on the backing. It picks up all the colors in the quilt without detracting from any of the blocks.
This past weekend, we took the completed quilt for a little photoshoot to Battery Russell at Ft. Stevens State Park at the Oregon coast. My hubby and son held the quilt while I took the photos. Our dog, Pepper, helped too!
I love this quilt! It is so bright and cheerful, and the backing is just as fun as the front. With a little luck, we’ll be able to have in-person quilt events this summer, and I just might get to take my class with Tula and show her this completed quilt.
I’ll leave you with one last picture from our day trip. We also stop to visit the Peter Iredale shipwreck when we visit Ft. Stevens. It is ever so slowly eroding away and, with this visit, we really noticed that a larger piece of the bow had disappeared since our last visit. I really need to dig up some of the pictures of this ship when I visited as a little kid to compare the differences.
Now I’m on to my next WIP, which is my Sea Glass BOM by Fig Tree. I will post an update soon!